Stone Daggers, Sword Masters, and Artificial Minds


Hello fellow history enthusiasts and blade aficionados,

sometimes the most interesting discoveries come not from finding something new, but from looking again at familiar things.

Here are a few recommendations and updates that I hope you will enjoy.


A Stone Age Misconception?

Some ideas become so widespread that they eventually start to feel self-evident.

One such example concerns Late Neolithic fishtail daggers.

A new public video and accompanying post explore a detail that is often interpreted as an imitation of bronze casting seams — an explanation that sounds plausible at first glance, yet raises a few practical questions once one starts looking more closely at how bronze objects are actually made and finished.

As usual, my approach combines archaeology with handling and ergonomics.

The video premiered on Patreon and is now publicly available.


Fiore Returns

If you have not yet watched the teaser trailer for FIORE 2: La Lince e il Biscione, chances are that many of your fellow readers already have — repeatedly.

Following the award-winning first short film, Italian film maker Alberto Mattea is now preparing a second cinematic journey into the world of the late 14th-/early 15th-century master of arms Fiore dei Liberi.

I was delighted to help spread the word, and judging by the response to my own post, enthusiasm within our little niche is alive and well.

I cannot wait to watch the finished film later this year.


AI, Swords, and Understanding the Future

Artificial intelligence continues to reshape the way we work and live — whether we welcome it or not.

As somebody whose illustration business has already been profoundly affected by generative AI, I have become convinced that understanding the technology is one of the best ways to prepare for what lies ahead.

What actually is AI?
How does it differ from mathematical models and conventional algorithms?
What can it do — and what can it not do?

Few people have helped me think more clearly about these questions than fellow swordsman, trained philosopher, and AI expert Dr Marc Heimann.

One idea from his conversation with Guy Windsor particularly struck me: what if one trained an AI exclusively on knowledge available up to a specific point in history — say, the year 1500?

Such a deliberately “virgin” AI would not be biased by later discoveries, modern interpretations, or contemporary assumptions. Instead, it might help reveal patterns, associations, and possibilities visible to historical actors themselves — connections we may overlook precisely because we already know too much.

Whether or not such an experiment proves feasible, I find it a fascinating reminder that AI may become not only a tool for automation, but also an instrument for asking entirely new kinds of historical questions.

If this sparks your curiosity, I warmly recommend Marc’s writing and his recent two-hour interview on The Sword Guy podcast. Find more from Marc in his dedicated blog.


More Blades Await on Patreon

Finally, a heartfelt thank-you to everybody supporting my work on Patreon.

Recent exclusive content includes:

• a gallery of no fewer than 72 photographs of a remarkably light and agile medieval sword discussed previously in this newsletter
• a video of handling a beautifully preserved langes Messer from around 1500
• a practical exploration of Scandinavian fighting knives, testing the effect of a hand strap functioning much like a sword knot

And of course there is also new public content: my photographs of two VLFBERHT swords currently on display in Berlin’s Neues Museum are available to everybody.

Whether you join for exclusive content or simply browse the public posts from time to time — thank you for following my work.

Enjoy — and blades up!⚔️

Roland

P.S. In the coming days, I will finally meet my good friend and fellow swordsman, archaeologist Ingo Petri, who will guide me through the new special exhibition Verlorene Krieger (“Lost Warriors”) at the Varusschlacht Museum Kalkriese.

The exhibition revolves around military equipment sacrificed in the famous bog deposits of Nydam and Thorsberg between the 2nd and 5th centuries CE and presents more than a thousand remarkable finds.

Needless to say, I am very much looking forward to it.

If you enjoyed this newsletter, please recommend it to your friends. They can sign up here or on my website. Or simply forward them this email.

Improve your skills with our sword-and-buckler online courses.

If you feel like dropping a coin into my tip jar, you can do so here. Thank you for your time and your interest.


You are receiving this newsletter because you have signed up for it, or because you have previously expressed your interest in my work and events. If you prefer to not receive further emails, you can unsubscribe below.


Dimicator

I’m Roland Warzecha — professional illustrator and swordsman. The name Dimicator comes from the Latin for “sword fighter.” I share cutting-edge research into historical martial arts, focusing in particular on Viking and high medieval sword-and-shield combat. My work is carried out in collaboration with museums, fellow martial artists, and scholars around the world.

Read more from Dimicator

Learning from the Past Reconstructed prehistoric pile dwellings at the Pfahbaumuseum Unteruhldingen (photo: Tourismus-Marketing GmbH Baden-Wuerttemberg) Throughout history, flourishing societies have occasionally undermined the very foundations of their own prosperity. Archaeology provides many examples. Around Lake Constance, Neolithic and Bronze Age communities appear to have exhausted the surrounding forests through intensive timber use, gradually reducing an essential resource. Centuries...

Hello fellow history enthusiasts and blade aficionados, Whether we study historical martial arts or historical weapons, one question continually arises: why were things done this way? The answer may lie partly in movement and partly in craftsmanship. More often than not, however, it emerges from the dialogue between maker and user—a relationship encapsulated in the artefacts of our martial heritage. Watch Cornelius practicing in a new public video The Longpoint Lesson — Hand-Foot Coordination...

Hello fellow history enthusiasts and blade aficionados, questions about historical body proportions come up regularly when discussing historical and prehistoric fighting techniques. Fortunately, archaeology provides some surprisingly clear answers. How tall were Europeans of the Roman era compared with modern people? Were People Smaller in the Past? One widespread assumption is that human body height increased steadily throughout history and that people today are generally taller than our...